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    <title>UGZ</title>
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    <id>tag:www.collectiveunconsciousnyc.org,2009-06-16:/ugz//1</id>
    <updated>2009-06-30T00:43:15Z</updated>
    
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<entry>
    <title>We Are Being Held</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/we-are-being-held/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.19</id>

    <published>2009-06-26T01:48:32Z</published>
    <updated>2009-06-30T00:43:15Z</updated>

    <summary><![CDATA[A man named Peter finds himself without a memory on a lone subway car. Awakened, Peter's past is conjured by two seemingly innocuous passengers who begin to unravel with him. We Are Being Held&nbsp; takes place on a subway, yet...]]></summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[A man named Peter finds himself without a memory on a lone subway car. Awakened, Peter's past is conjured by two seemingly innocuous passengers who begin to unravel with him. We Are Being Held&nbsp; takes place on a subway, yet there is rarely mention of that. It is firmly rooted in the numerous, minute and momentary connections that pass between us en route, but it is not confined within the walls of a train. We join peter on this ride.&nbsp; We are all passengers.&nbsp; We are being held. ]]>
        
    </content>
</entry>

<entry>
    <title>Replikas of Apocalypsis Cum Figuris &amp; The Constant Prince</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/replikas-of-apocalypsis/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.18</id>

    <published>2009-06-26T00:33:45Z</published>
    <updated>2009-06-30T16:17:01Z</updated>

    <summary><![CDATA[This year marks the 50th anniversary since Jerzy Grotowski became the director of the Theatre of 13 Rows in Opole, and the 10th since his death.&nbsp; In commemoration, NU Classic Theatre is presenting, a program of two fragments inspired by...]]></summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[This year marks the 50th anniversary since Jerzy Grotowski became the director of the Theatre of 13 Rows in Opole, and the 10th since his death.&nbsp; In commemoration, NU Classic Theatre is presenting, a program of two fragments inspired by and leaning on the work of Grotowski and his actors.&nbsp; Drawing on the print series by Albrecht Durer of the same name, Apocalypsis cum Figuris was Grotowski and his company's final professional production.&nbsp; A collage of biblical, poetic, and other texts, our homage to this piece depicts seven monks and nuns who in a state of crisis enter into dialogue with seven angels.&nbsp; Grotowski's production of Calderon de la Barca's The Constant Prince, which starred Ryszard Cieslak, was one of his most famous productions.&nbsp; Here we present a fragment of Calderon's play, performed in a combination of English and the original Spanish, with an etude from Meyerhold's biomechanics called "The Fool". ]]>
        
    </content>
</entry>

<entry>
    <title>Evanston: A Rare Comedy</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/evanston-a-rare-comedy/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.17</id>

    <published>2009-06-26T00:23:37Z</published>
    <updated>2009-07-03T20:36:05Z</updated>

    <summary>EVANSTON: A RARE COMEDY begins with the disappearance of a teenage girl in deepest suburbia and ends when a meeting of The Evanston Women&apos;s Book Club goes horribly awry. In between, a transgender student dreams of death, a housewife dreams...</summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[EVANSTON: A RARE COMEDY begins with the
disappearance of a teenage girl in deepest suburbia and ends when a
meeting of The Evanston Women's Book Club goes horribly awry. In
between, a transgender student dreams of death, a housewife dreams of
<span class="yshortcuts" id="lw_1246652565_1">Mexico</span>, an economics professor has an affair with a Whole Foods
check-out clerk, and the financial crisis rages on. The latest show
from the Wolf 359 team - director Michael Rau and writer/performer
Michael Yates <span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1246652565_2">Crowley</span>
- takes a chainsaw to language, convention, and
pretension to create a new kind of American story-telling: raw, sexy,
and painfully funny. Inspired by the words of Psalm 137 and the streets
of <span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1246652565_3">Evanston, Illinois</span>, A RARE COMEDY asks: how can we sing a song of
joy in this strange land?]]>
        
    </content>
</entry>

<entry>
    <title>playgroundzero</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/playgroundzero/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.16</id>

    <published>2009-06-26T00:16:21Z</published>
    <updated>2009-07-10T16:32:49Z</updated>

    <summary>playgroundzero is a series of script-in hand readings of bold, provocative, and thought provoking news plays, curated by playwright Saviana Stanescu as part of the undergroundzero festival at Performance Space 122.playgroundzero aims to offer exposure to plays that are highly...</summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[playgroundzero is a series of script-in hand readings of bold, provocative, and thought provoking news plays, curated by playwright Saviana Stanescu as part of the undergroundzero festival at Performance Space 122.<br /><br />playgroundzero aims to offer exposure to plays that are highly original, risk-taking, innovative, bold and provocative.&nbsp; If you want to be predictably entertained with another well-done dramatic-recipe, playgroundzero is not for you. We like to play, we like theatre and theatricality, we like to challenge the audiences and we believe that theatre's role in society is to make people think and push their limits. playgroundzero is about that zero hour of your conscience when you are ready to understand/learn something new, play with a new idea, accept a new thought. You are allowed to be both childish and wise, as long as you are open and curious.<br /><br />Me You Us Them<br />Saturday, July 11 @ 3:30pm<br />Written by Andrea Lepcio<br />Directed &amp; choreographed by Zach Morris <br />Two boys spot each other across a vacant lot anywhere in the world - Zamzama Street in Karachi, Haifa Street in Baghdad or Jerome Avenue in the Bronx. Hungry, lonely, bored and without hope, they form a bond through their poetic language and extreme street dance moves. A modern woman frightened by the world around her and her inadequate response searches on-line alone.&nbsp; At the moment she realizes she needs to search for questions, not answers, in a Second Life or Avatar way, she becomes Z, the boys' friend of a friend. Together, they make a plan to blow up the Center of Things. <br /><br />Incomplete and Beautiful<br />Sunday, July 12 @ 2:30pm<br />Presented by Wax Factory <br />Written &amp; directed by Nathaniel Kressen<br />First produced as a student show at NYU's Tisch School of the Arts, Incomplete and Beautiful is a hilarious coming-of-age story set in the gentrified East Village of NYC. Illegal substances, proximity infatuations, and 3-square pasta meals a day collide as a group of young artists struggle to make their mark in a world without safety nets.<br /><br />For A Barbarian Woman<br />Saturday, July 18 @ 2:30pm<br />Written by Saviana Stanescu<br />Directed by Paul Bargetto<br />The play interweaves a present-day love story between a Romanian woman and an American colonel from the NATO base in Constanta (a Romanian city at the Black Sea, built on the ruins of the ancient city TOMIS where the Roman poet Ovid was exiled sometime around year 8 AD) and a fictional relationship between Ovid and a Barbarian woman from Tomis.<br /><br />Vattago<br />Saturday, July 25 @ 2:30pm<br />Written by Ian Cohen<br />Directed by Sarah Rasmussen<br />The demon, VATTAGO, infiltrates the home and workplace of Matt Ross, resulting in chaos and death. A comedy.<br /><br />Torrents<br />Sunday, July 26 @ 3:30pm<br />Written by Robert Attenweiler<br />Directed by Margarett Perry<br />Three local townspeople have recently gone missing and police officer Claire Torrence believes these disappearances are connected.&nbsp; But are they also connected to her sister, Rose, a militia member, or to Bill Daniels, a local carpenter, who might just be the second coming of Jesus Christ?<br /> ]]>
        
    </content>
</entry>

<entry>
    <title>The Misanthrope</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/the-misanthrope/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.15</id>

    <published>2009-06-26T00:08:21Z</published>
    <updated>2009-06-30T14:32:53Z</updated>

    <summary><![CDATA[The Misanthrope is an ensemble-created contemporary explosion of Moliere's classic social comedy inspired in equal part by Ingmar Bergman, indie rock, and the New York rental market, it explores the nature of desire in our generation.&nbsp; The world is both...]]></summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[<span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1246372150_0">The Misanthrope</span> is an ensemble-created contemporary explosion of Moliere's classic social comedy inspired in equal part by <span class="yshortcuts" id="lw_1246372150_1">Ingmar Bergman</span>, indie rock, and the <span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1246372150_2">New York</span>
rental market, it explores the nature of desire in our generation.&nbsp; The
world is both familiar and strange - set in present day New York among
a group of artists and intellectuals, The Misanthrope looks at how we
form and destroy our social communities.&nbsp; Feelings of love, desire,
jealously and insecurity are masked and unmasked throughout the play in
comedic and dramatic fashion with music, movement, and verse.]]>
        
    </content>
</entry>

<entry>
    <title>Winter Journey</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/winter-journey/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.14</id>

    <published>2009-06-25T23:59:37Z</published>
    <updated>2009-06-29T20:46:45Z</updated>

    <summary><![CDATA[Hoi Polloi Artistic Director Alec Duffy probes his father's lifelong obsession with Schubert's late masterwork, the "Winterreise" song cycle.&nbsp; With the help of a pianist and singer, Duffy explores the songs of the work and strives to unlock the mystery...]]></summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[Hoi Polloi Artistic Director Alec Duffy probes his father's lifelong obsession with Schubert's late masterwork, the "Winterreise" song cycle.&nbsp; With the help of a pianist and singer, Duffy explores the songs of the work and strives to unlock the mystery of why the piece held his father, and so many others, in thrall.&nbsp; Deeply personal but also highly entertaining, "Winter Journey" offers a fresh take on the tradition of the "confessional monologue," with Duffy leading the audience down lush and unexpected pathways.&nbsp; ]]>
        
    </content>
</entry>

<entry>
    <title>Selling Splitsville</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/selling-splitsville/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.13</id>

    <published>2009-06-25T23:54:11Z</published>
    <updated>2009-06-30T01:05:29Z</updated>

    <summary><![CDATA[Divorce is fun.&nbsp; At least it is when you have the right accessories.&nbsp; Join Kath and Cheryl Marissa, two hosts of TV's Instant Shopping Now! as they sell sell sell items from their favorite company, Splitsville: Speciality Products for Divorced...]]></summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[Divorce is fun.&nbsp; At least it is when you have the right accessories.&nbsp; Join Kath and Cheryl Marissa, two hosts of TV's Instant Shopping Now! as they sell sell sell items from their favorite company, Splitsville: Speciality Products for Divorced Families. Go from denial to acceptance in three easy installments of $19.99. ]]>
        
    </content>
</entry>

<entry>
    <title>tales from bordertown (prologue)</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/tales-from-bordertown-prologue/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.12</id>

    <published>2009-06-25T23:45:21Z</published>
    <updated>2009-06-30T03:11:56Z</updated>

    <summary>Let&apos;s get lost. Performing in the oral tradition of the epic poets downtown New York performer Eric Dean Scott follows a trail of dreams, mystic poetry, jazz recollection (and loss) through South American border towns, the lost Road east, Dylan...</summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[Let's get lost. Performing in the oral tradition of the epic poets
downtown New York performer Eric Dean Scott follows a trail of dreams,
mystic poetry, jazz recollection (and loss) through South American
border towns, the lost Road east, Dylan tapes forgotten, and vanished <span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1246329696_0">New Orleans</span>
- taking us on a race for the River along the razor's edge...past shore,
past time, past place....where we find ourselves in bordertown. Again.]]>
        
    </content>
</entry>

<entry>
    <title>I am Trying to Hear Myself and Vandam Goodbar</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/the-consequences/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.11</id>

    <published>2009-06-25T23:37:54Z</published>
    <updated>2009-07-20T20:42:24Z</updated>

    <summary><![CDATA[Jack Ferver presents two works about desire, longing, and humiliation in this evening combining two of his most hilarious and erotic works.&nbsp; I Am Trying To Hear Myself concerns the elusive quality of romance and the disappointment of viewing one's...]]></summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[<font style="font-size: 1.25em;" size="3"><span class="headline"><div>Jack Ferver presents two works about desire,
longing, and humiliation in this evening combining two of his most hilarious
and erotic works.&nbsp; <br /></div><br />I Am Trying To Hear Myself concerns the elusive
quality of romance and the disappointment of viewing one's current life through
the idealization of one's past.<br />

<br />Ferver will also show an excerpt
of the new piece he is working on, Vandam Goodbar, about the humorous,
disturbing, and unfortunate violent excursions that can happen in the restless
search for a connection.</span></font> ]]>
        
    </content>
</entry>

<entry>
    <title>3!</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/3/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.10</id>

    <published>2009-06-25T23:22:07Z</published>
    <updated>2009-06-30T03:10:19Z</updated>

    <summary>3! is a multimedia experiment inspired by Rainer Werner Fassbinder&apos;s 1979 film The Third Generation. Radical politics, carnival, cops, philosophy, television, guns and terrorists... The performance features criss-crossing cameras, televisions, live feed video, a dj and an ensemble cast of...</summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[3! is a multimedia experiment inspired by <span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1246329974_0">Rainer Werner Fassbinder</span>'s 1979 film <span class="yshortcuts" id="lw_1246329974_1">The Third Generation</span>.
Radical politics, carnival, cops, philosophy, television, guns and
terrorists... The performance features criss-crossing cameras,
televisions, live feed video, a dj and an ensemble cast of 14 actors.
Hybrid forms of performance collide and subvert reality in an attempt
to interrogate violence, freedom and <span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1246329974_2">civil rights</span>,
dramatizing a disturbing world of sexual mayhem, chemical distortions,
political manipulations and the exaltation and burden of discovering
one's inability to fit into the system.<br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>She of the Voice</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/she-of-the-voice/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.9</id>

    <published>2009-06-25T03:15:19Z</published>
    <updated>2009-06-29T20:47:32Z</updated>

    <summary>She of the Voice, Eliza Bent&apos;s adaptation of Hari Kunzru&apos;s short story &quot;Magda Mandela,&quot; simmers with video, dance, soundscape + song. A Greek chorus of urbanites dwell alongside the larger-than-life Magda whose constant preaching and outrageous, vigilante antics provide a...</summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[She of the Voice, Eliza Bent's adaptation of Hari Kunzru's short story "Magda Mandela," simmers with video, dance, soundscape + song. A Greek chorus of urbanites dwell alongside the larger-than-life Magda whose constant preaching and outrageous, vigilante antics provide a wealth of gossip--and headaches--for her fellow citizens. Magda may parade around in a lime green thong, offer up endless aphorisms, and declare herself kin to Nelson Mandela. Yet her calls to arms--though observed--for the most part, remain ignored. Is Magda a wise fool or crazy neighbor? In a fractured, apathetic world, can community exist if no one listens? Though comedic in tone, at the heart of She of the Voice is an exploration of human fellowship.&nbsp; ]]>
        
    </content>
</entry>

<entry>
    <title>AOI!</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/aoi/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.8</id>

    <published>2009-06-25T03:06:08Z</published>
    <updated>2009-06-30T16:00:56Z</updated>

    <summary>A new adaptation of Yukio Mishima&apos;s modern Noh play, &quot;The Lady Aoi&quot;, TSW distills the 1950&apos;s shingeki naturalism of the original text with their own brand of nouveau expressionism to expose the extremely conflicted nature of Mishima&apos;s psyche....</summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        A new adaptation of Yukio Mishima&apos;s modern Noh play, &quot;The Lady Aoi&quot;, TSW distills the 1950&apos;s shingeki naturalism of the original text with their own brand of nouveau expressionism to expose the extremely conflicted nature of Mishima&apos;s psyche. 
        
    </content>
</entry>

<entry>
    <title>Nick</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/nick/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.7</id>

    <published>2009-06-25T02:47:05Z</published>
    <updated>2009-07-08T14:16:05Z</updated>

    <summary><![CDATA[A contemporary adaptation of Chekhov's Ivanov from the original Russian.&nbsp; Nick Ivanov, a man of infinite promise and debt, is torn between his loving wife and the lusty daughter of his creditor. When his vodka swilling, poker playing, gun toting...]]></summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[<span class="headline"></span><b></b><span class="bodytext"><b>A
contemporary adaptation of Chekhov's Ivanov from the original Russian</b>.&nbsp; </span>Nick Ivanov, a man of infinite promise and debt, is torn between his loving wife and the lusty daughter of his creditor. When his vodka swilling, poker playing, gun toting friends insert themselves into the intrigue, Nick gets pushed to the edge. Fiercely comic, electrifying and blatantly romantic, this is Chekhov as you never imagined. ]]>
        
    </content>
</entry>

<entry>
    <title>The Jamal Lullabies</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/the-jamal-lullabies/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.6</id>

    <published>2009-06-25T02:35:52Z</published>
    <updated>2009-06-29T19:34:53Z</updated>

    <summary>The Jamal Lullabies is a musical tribute and lament written and scored by Emily Conbere and directed by Paul Bargetto. In the piece four young, white women sing about Jamal, a &quot;beloved gang member, a soft spoken lover, and a...</summary>
    <author>
        <name>Paul</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[The Jamal Lullabies is a musical tribute and lament written and scored by Emily Conbere and directed by Paul Bargetto. In the piece four young, white women sing about Jamal, a "beloved gang member, a soft spoken lover, and a beautiful tired out addict" who was killed at a gang shooting during a party. As the women unfold their stories it becomes clear that each of them loved him in profound ways that altered the course of their lives.&nbsp; ]]>
        
    </content>
</entry>

<entry>
    <title>Pretençión: un cirque de burlesque, un burlesque de cirque</title>
    <link rel="alternate" type="text/html" href="http://www.collectiveunconsciousnyc.org/ugz/pinchbottoms-pretencion/" />
    <id>tag:www.collectiveunconsciousnyc.org,2009:/ugz//1.3</id>

    <published>2009-06-23T16:29:11Z</published>
    <updated>2009-06-29T17:34:23Z</updated>

    <summary><![CDATA[Pretençión&nbsp;is the place where Mystery sits at a table with Elegance, and Imagination orders a round of drinks before dinner. It is a world where those drinks are served by a pompous clown. Join Pinchbottom on a sensual quest for&nbsp;Pretençión,...]]></summary>
    <author>
        <name>Porkpie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.collectiveunconsciousnyc.org/ugz/">
        <![CDATA[<font class="Apple-style-span" color="#660000" face="Georgia, 'Times New Roman', Times, -webkit-fantasy" size="3"><span class="Apple-style-span" style="font-size: 12px; line-height: 18px;"><i><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Georgia, 'Times New Roman', Times, fantasy; font-style: normal; line-height: 21px; "><i>Pretençión</i>&nbsp;is the place where Mystery sits at a table with Elegance, and Imagination orders a round of drinks before dinner. It is a world where those drinks are served by a pompous clown. Join Pinchbottom on a sensual quest for&nbsp;<i>Pretençión</i>, an imaginary yet sexy element that turns burlesque performers from "Jerkques" (ordinary people) into self-important "Cirques": infuriatingly magical, unendurably spellbinding artistes who peel away the mundane with every layer of clothing. Step into the world of&nbsp;<i>Pretençión</i>&nbsp;-- but be careful not to trip on the magic.</span></i></span></font>]]>
        
    </content>
</entry>

</feed>
